The Epidemics – Do What U Do

The Epidemics – Do What U Do
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 350 MB
Label/Cat#: Tokuma 32JC-262 | Country/Year: Japan 1987
Genre: Folk Rock, Pop Rock, Synth-pop | Hoster: Filesonic/Uploaded/Filepost

CD Info:

Epidemics, The – Do What U Do

Label: Tokuma Japan Corporation
Catalog#: 32JC-262
Format: CD, Album
Country: Japan
Released: 1987
Genre: Electronic, Folk, World, & Country, Rock
Style: Folk Rock, Pop Rock, Synth-pop

Tracklist:

1 I Got Your Message 4:16
2 Mad About You 3:04
3 Dreamer 4:46
4 Keep It Up 4:07
5 Within These Walls 3:46
6 Do What You Do 3:50
7 You Gotta Pay 4:14
8 You Ain’t Seen Nothing Yet 4:14
9 I’ll Stand By You 3:35
10 Love Is Alright 3:58
11 Hong Kong 3:40

Companies etc:

Recorded At – Carriage House Studio
Recorded At – Stickwork Studios
Mastered At – Masterdisk
Phonographic Copyright (p) – The Epidemics
Copyright (c) – The Epidemics
Distributed By – Tokuma Japan Communications

Credits:

Artwork By [Cover Painting] – Caroline
Backing Vocals – John Waite, Peter Gabriel
Bass – Bill Laswell, Laurie Heinemann, T.M. Stevens
Design [Back Cover & Inner Layout] – Takeshi Masuda
Design [Cover Layout] – Shankar
Drums – Jerry Cuccurullo
Engineer – Chris Richards, Johnny Montagnese
Engineer [Assistant] – Caroline, Gilbert Kaufman, Phil Magnotti, Shankar
Guitar – Nicky Skopelitis, Warren Cuccurullo
Mastered By – Howie Weinberg
Percussion – Jack Conklin
Photography By [Back Cover] – Allan Titmuss
Photography By [Cover] – Bruno Keusch, Tara Cross
Sarangi – Sultan Kahn
Synthesizer [Kurzweil], Keyboards – Gilbert Kaufman
Tabla, Timbales – Zakir Hussain
Voice – Yoko Ono
Written-By, Producer, Vocals, Synthesizer – Caroline
Written-by, Producer, Vocals, Violin [10-string Double] – Shankar

Notes:

Album recorded at Carriage House Studio, Conn, 1986
Except basic track and Peter Gabriel’s vocals for A1 and B1 recorded at Stickwork Studios, New York
Mastered at Masterdisk
?+© 1987 The Epidemics

Barcode and Other Identifiers:

Rights Society: JASRAC

Biography (Shankar)

by John Bush

Shankar, a violinist, singer and composer, teaches Indian Classical styles by incorporating them into Western musics. He has worked with many Western musicians, including Peter Gabriel, Yoko Ono, Bruce Springsteen, Phil Collins, Talking Heads, and Lou Reed. He first began vocal lessons at the age of two, violin lessons at five, and drumming lessons at seven. After receiving a doctorate in ethnomusicology, he co-formed (with British composer Caroline) a pop/rock group in 1982, the Epidemics. The band has released three albums: The Epidemics, Do What You Do and Eye Catcher.

The two also work in an Indian quartet with Shankar’s father, V. Lakshminarayana, and his sister, Gana Rao. The group’s four albums are Panca Nadai Pallavi, Galaxy, Nobody Told Me and Soul Searcher.

Shankar also co-founded Shakti with John McLaughlin; the two released Shakti, Handful of Beauty and Natural Elements. His two solo albums are Touch Me There (produced by Frank Zappa) and Who’s to Know. allmusichuide

In 1982 Shankar formed the pop/rock group Sadhu, later known as the Epidemics, with British composer, vocalist and keyboardist Caroline. Their two albums included a wide array of pop stars as guests: Frank Zappa, Peter Gabriel, John McLaughlin, Elton John, Eric Clapton, Phil Collins, Bruce Springsteen, Van Morrison, Yoko Ono and Sting among others. worldmusiccentral

 

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Stephanie Kirkham – That Girl

Stephanie Kirkham – That Girl
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 407 MB
Label/Cat#: Hut Rec. CDHUT 82 | Country/Year: Europe 2003
Genre: Folk Rock | Hoster: Filesonic/Uploaded/Filepost

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CD Info:

Stephanie Kirkham – That Girl

Label: Hut Recordings
Catalog#: CDHUT 82
Format: CD, Album
Country: Europe
Released: 2003
Genre: Pop, Rock, Folk

Tracklist:

1 That Girl
2 Stay Here Close To Me
3 Inappropiate
4 When You Were Here
5 Monday Morning
6 Garden Of Dreams
7 Somebody Else’s Girl
8 Heavy Boots
9 Never In A Million Years
10 Blank White Sheet

Companies etc:

Phonographic Copyright (p) – Virgin Records Ltd.
Copyright (c) – Virgin Records Ltd.

Barcode and Other Identifiers:

Label Code: LC03098
Barcode: 724359094328

Review

by Johnny Loftus

Stephanie Kirkham’s debut is a collection of nicely appointed folk-pop tunes, her whispery lilt and acoustic strum accompanied nicely by subtle electronic programming. The single “Inappropriate” fortifies that formula, weaving Kirkham’s charmingly accented flutter and the layers of backup harmonies around a piano hook break and rambling electric guitar. The result is catchy and polite, quite suggestive of the Corrs’ 2000 hit, “Breathless.” In fact, most of That Girl is catchy and polite, exceedingly so. The title cut tracks the Sundays through light electronics; Kirkham’s lyrics tell the usual modernist story of a strong-willed yet fussily romantic girl stuck in a relationship with a cute mechanic. Please open your diaries to page 36. Elsewhere, the delicate “When You Were Here” and “Never in a Million Years” threaten with each plink of synthesizer or codependent lyric to drift away, while the brooding “Blank White Sheet” seems to have wandered in from a Loreena McKennitt album. It’s in this way that That Girl is pretty, but also pretty referential. From “Monday Morning”‘s “Maybe his eyes will meet mine/You never know when your life might change” to “Your problems are not my problems anymore/After this I’ll change my number for sure” (from the Dido-ish electronic putter of “Somebody Else’s Girl”), That Girl turns back and forth between hoping for happiness and wishing it never came. It’s OK that Kirkham doesn’t have the answers. But her tools for asking the questions could use some sharpening. Still, she has an attractive if thin voice, and her music should be warm, shimmering, and inviting for fans of the genre. allmusicguide

 

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VA – Car & Hifi Präsentiert Drive & Sound Test CD

VA – Car & Hifi Präsentiert Drive & Sound Test CD
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 505 MB
Label/Cat#: In-Akustik C&H 0101 CD | Country/Year: Germany 199_
Genre: – | Hoster: Filesonic/Uploaded

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Various – Car & Hifi Präsentiert Drive & Sound Die Offizielle Test-CD

Label: Car & Hifi, in-akustik
Catalog#: C&H 0101 CD
Format: CD, Compilation
Country: Germany
Released: ? (early 90’s)
Genre: Classical, Electronic, Folk, World, & Country, Jazz, Non-Music

Tracklist:

1 Flim & The BB’s – Tricycle 4:38
2 Spencer Davis / Pete York / Collin Hodgkinson* – Trouble In Mind 5:30
3 Kunzel* / Cincinnati Pops Orchestra – Danse Macabre 7:39
4 Friedemann – Bao Lan 4:10
5 Kunzel* / Cincinnati Pops Orchestra – Opening Sequence 0:49
6 Kunzel* / Cincinnati Pops Orchestra – Overture To The Phantom Of The Opera 2:12
7 Thom Rotella Band – In The Mirror 4:58
8 Serah & Friedemann – Song For Africa 5:20
9 Gerd Besseler* – Flyin’ On The Wave 4:41
10 Kunzel* / Cincinnati Pops Orchestra – Explosions-Polka, Opus 13 2:20
11 Thom Rotella – Machu Picchu 5:38
12 Vox (3) – Miragre 4:51
13 Flim & The BB’s – At The Hop 8:29
14 Kunzel* / Cincinnati Pops Orchestra – Murder 1:21
Meßtechnik:
15 5 Minuten Rosa Rauschen Links Und Rechts Korreliert (Für Frequenzgangmessung)
16 30 Sec Rosa Rauschen Links
17 30 Sec Rosa Rauschen Rechts
18 Fünf Zyklen Mit Je 5 Sec Rosa Rauschen Beide Kanäle Korreliert – 2,5 Sec Rosa Rauschen Beide Kanäle Unkorreliert
19 51 Sec Sweep Von 20 Hz Bis 20 Kilohertz, Links
20 51 Sec Sweep Von 20 Hz Bis 20 Kilohertz, Rechts
21 2 Min Zero Bit Mit Warnton 1 Sec, 1 KHz, – 10 dB Am Anfang Und Warnton 1 Sec, 1 KHz, – 60 dB Am Ende

Companies etc:

Copyright (c) – in-akustik
Pressed By – DADC AUSTRIA

Barcode and Other Identifiers:

Matrix / Runout: TEST-CD 22 3A

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VA – Zimbabwe Mbira

VA – Zimbabwe Mbira
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 423 MB
Label/Cat#: Network, WDR 52.990 | Country/Year: Germany 1991
Genre: World, Africa | Hoster: Filesonic/Uploaded

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Traditional Mbira Musicians & Kevin Volans Ensemble – Zimbabwe: Mbira

Label: Network Medien
Catalog#: 52.990
From The Series: World Network – 7
Format: CD, Compilation
Country: Germany
Released: 1991
Genre: Folk, World, & Country
Style: Folk

Tracklist:

1 Mhuri yekwa Muchena – Chipembere 7:41

Kalimba [Kushaura Mbira] – Eric Muchena
Vocals, Rattle [Hosho] – Mai Muchena
Kalimba [Kutshinira Mbira] – Silas Madziva
Vocals, Kalimba [Kushaura Mbira] – Mondreck Muchena

2 Frank Ngomba – Sarangarike 4:15

Vocals, Kalimba [Mbira] – Frank Ngomba 3:58

3 Tafaneyi Gweshe – Nyama Kumambure

Vocals, Kalimba [Mbira] – Tafaneyi Gweshe

4 Mhuri yekwa Muchena – Nhemamusasa 6:42

Kalimba [Kushaura Mbira] – Eric Muchena
Vocals, Rattle [Hosho] – Mai Muchena
Kalimba [Kutshinira Mbira] – Silas Madziva
Vocals, Kalimba [Kushaura Mbira] – Mondreck Muchena

5 Tafaneyi Gweshe – Mbiringo 3:33

Vocals, Kalimba [Mbira] – Tafaneyi Gweshe

6 Mhuri yekwa Muchena – Marenje 5:05

Kalimba [Kushaura Mbira] – Eric Muchena
Vocals, Rattle [Hosho] – Mai Muchena
Kalimba [Kutshinira Mbira] – Silas Madziva
Vocals, Kalimba [Kushaura Mbira] – Mondreck Muchena

7 Mhuri yekwa Muchena – Mahororo 7:21

Kalimba [Kushaura Mbira] – Eric Muchena
Vocals, Rattle [Hosho] – Mai Muchena
Kalimba [Kutshinira Mbira] – Silas Madziva
Vocals, Kalimba [Kushaura Mbira] – Mondreck Muchena

8 Tafaneyi Gweshe – Chaminuka 4:49

Vocals, Kalimba [Mbira] – Tafaneyi Gweshe

9 Mhuri yekwa Muchena – Serevende 5:43

Kalimba [Kushaura Mbira] – Eric Muchena
Vocals, Rattle [Hosho] – Mai Muchena
Kalimba [Kutshinira Mbira] – Silas Madziva
Vocals, Kalimba [Kushaura Mbira] – Mondreck Muchena

10 Kevin Volans – Mbira 10:46

Harpsichord, Leader – Kevin Volans
Harpsichord – Deborah James
Ensemble – Kevin Volans Ensemble
Rattle [Hosho] – Robin Schulkowsky*

Credits:

Artwork By [Coverart] – Franz Aumüller
Compiled By, Liner Notes – Wolfgang Hamm
Liner Notes [Translated Into English By] – Mike Conant
Producer – Christian Scholze, Jean Trouillet
Producer [Cooperation] – Jan Reichow
Recorded By – Benny Miller (tracks: 1, 4, 6, 7, 9), Johannes Dell (tracks: 1, 4, 6, 7, 9), Wolfgang Hamm (tracks: 2)
Recorded By [With The Help Of] – Kenith Goddard (tracks: 1, 4, 6, 7, 9)

Notes:

Track 1, 4, 6, 7 & 9 recorded May 20, 1991 in Shed Studios, Harare
Track 2 recorded May 5, 1990 in Harare
Track 3, 5 & 8 recorded at the WDR-Funkhaus, Cologne, January 22, 1990
Track 10 recorded at the WDR-Funkhaus, Cologne, April 20, 1984
Mastered at Sound Studio “N”, Cologne

Edited in cooperation with WDR/Westdeutscher Rundfunk
Licensed by WDR/Westdeutscher Rundfunk
© + ? 1991 Network Medien GmbH
Printed in Germany

Includes an 8-page booklet

In African music, the mbira (also known as Likembe, Mbila, Thumb piano, Mbira Huru, Mbira Njari, Mbira Nyunga Nyunga, Karimbao or Kalimba) is a musical instrument that consists of a wooden board to which staggered metal keys have been attached. It is often fitted into a resonator. In Eastern and Southern Africa there are many kinds of mbira, usually accompanied by the hosho. Among the Shona people there are three that are very popular (see Shona music). The Mbira is usually classified as part of the lamellaphone family. It is also part of the idiophones family of musical instruments. In some places it is also known as a sanza or sansa.

In the late 1960s to early 70s sanza was the generic term used to describe these members of the lamellophone family. Mbira has now become so well known due to the worldwide stage performance and recordings of Thomas Mapfumo whose music is based on and includes the mbira, and the work of Dumisani Maraire who brought marimba and karimba music to the US Pacific Northwest, Ephat Mujuru who was one of the pioneer teachers of mbira in the US, and the writings and recordings of Zimbabwean musicians made by Paul Berliner. Mbira has now replaced sanza as the generic term. Dr. Joseph H. Howard, owner of the largest collection of drums and ancillary folk instruments in the Americas, often stated it is “the instrument most typical of Africa.” By this he meant that the instruments were only found in areas populated by Africans or their descendants. Babatunde Olatunji made a similar statement in his book “Musical Instruments of Africa.” He states the mbira “a finger xylophone, is native to Africa and is common throughout the continent. It is known nowhere else except in parts of the Americas where it was taken by Africans.” wikipedia

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Bob Geldof – The Vegetarians of Love

Bob Geldof – The Vegetarians of Love
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 462 MB
Label/Cat#: Mercury 846 250-2 | Country/Year: Europe 1990
Genre: Rock, Folk Rock | Hoster: Filesonic/Uploaded

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Bob Geldof – The Vegetarians Of Love

Label: Mercury
Catalog#: 846 250-2
Format: CD, Album
Country: Europe
Released: Jul 1990
Genre: Rock
Style: Folk Rock

Tracklist:

1 A Gospel Song 5:23
2 Love Or Something 4:39
3 The Great Song Of Indifference 4:38
4 Talking Voyager 2 Type Things 8:20
5 Big Romantic Stuff 4:06
6 Crucified Me 2:11
7 The Chains Of Pain 3:43
8 A Rose At Night 5:42
9 No Small Wonder 4:46
10 Walking Back To Happiness 7:29
11 Let It Go 4:39
12 The End Of The World 1:52

Credits:

Accordion – Alun Dunn
Acoustic Guitar – Bob Geldof, Geoff Richardson, Phil Palmer
Backing Vocals – Kevin Godley, Rupert Hine
Bass – Bob Loveday, Pete Briquette
Clarinet, Saxophone, Ukulele, Viola – Geoff Richardson
Drums – Geoff Dugmore
Electric Guitar – Bob Geldof, Geoff Richardson*, Gerry Moffet, Phil Palmer
Engineer – Stephen W. Tayler
Keyboards – Pete Briquette, Rupert Hine
Lead Vocals – Bob Geldof
Mastered By – Arun Chakraverty
Mixed By – Cameron Jenkins, Stephen W. Tayler
Organ – Alun Dunn*, Paul Carrack, Steve Fletcher
Percussion – Geoff Dugmore, Rupert Hine
Piano – Rupert Hine, Steve Fletcher
Producer – Rupert Hine
Violin – Bob Loveday
Whistle [Penny] – Bob Loveday, Geoff Richardson

Notes:

Recorded at Maison Rouge Studios London and at Studios Acousti Paris

Review

by Tom Demalon

Geldof returns after a four-year absence with his second solo release, The Vegetarians of Love. Again, there are some high-profile guests including Paul Carrack, Kevin Godley, and Dave Stewart, but this Rupert Hine-produced affair has a low-key feel to it. Geldof applies his Dylanesque croak to a set that is very heavy on Irish-folk influences with rich results.

“A Gospel Song” is a gorgeous, organ-driven track that leads things off. Dave Stewart lends his guitar work to the catchy pop/rock of “Love Or Something.” “The Great Song of Indifference,” is a wry, tongue-in-cheek stomp fueled by pennywhistles, accordion and violin. There’s even the appearance of former Boomtown Rat bandmate Pete Briquette playing bass and keyboards and co-writing the pleasant, albeit meandering, “Thinking Voyager 2 Type Things.” A commercial flop on both sides of the Atlantic, this album is, nonetheless, a joyous romp from start to finish.

allmusicguide

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TiCorn – Haiti Cherie [Creole Favorites – Trad. & Voodoo Songs]

 

TiCorn – Haiti Cherie (Creole Favorites – Trad. & Voodoo Songs)
FLAC, EAC, LOG & CUE | Artwork | Size: 541 MB
Cat#: Tortuga Records 995342 | Country/Year: France 1993
Genre: Folk, World | Hoster: Filesonic/Uploaded

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TiCorn – Haiti Cherie – Creole Favorites – Traditional & Voodoo Songs

Label: Tortuga Records
Catalog#: 995342
Format: CD, Album
Country: France
Released: 1993
Genre: Folk, World, & Country

Tracklist:

1 Haiti Cherie 2:40
2 Nan Fond Bois 2:07
3 Papa Damballah 2:10
4 Feuilles Yo 2:22
5 Ministre Azacca 2:30
6 L’Artibonito 2:11
7 Agohe 2:17
8 Carenage 2:58
9 Choucoune 3:37
10 Ce Pa Vre 3:11
11 Nan Guinin 3:22
12 Sous Le Ciel D’haiti 2:39
13 Ma Pralle 4:20
14 Invocation Sole 5:42
15 Temps Longtemps 5:17

Companies etc:

Distributed By – EPM Musique
Made By – MPO
Printed By – MPO

“Haiti Cherie” is a traditional patriotic song of Haiti. Written and composed by Dr. Othello Bayard de Cayes and initially called “Souvenir d’Haiti,” it represents the pride Haitian people feel for their country and culture. Within the Haitian community, at home and abroad, it is widely considered as a second national anthem.

Ti Corn, a Haitian of German descent, recorded “Haiti Cherie” in the 1960s. wikipedia

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Astor Piazzolla & Quinteto Tango Nuevo – Live in Colonia 1984

Astor Piazzolla & Quinteto Tango Nuevo – Live in Colonia 1984
FLAC, EAC, LOG & CUE | Artwork | Size: 699 MB / 2xCD
Cat#: Intuition INT 3343 2 | Country/Year: Germany 2003
Genre: Tango | Hoster: Filesonic/Uploaded

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Astor Piazzolla & Quinteto Tango Nuevo – Live In Colonia, 1984

Label: Intuition Records
Catalog#: INT 3343 2
Format: 2 × CD, Album
Country: Germany
Released: 2003
Genre: Folk, World, & Country, Latin
Style: Tango

Tracklist:

1-01 Biyaya 6:38
1-02 Caliente 4:55
1-03 Lunfardo 6:05
1-04 Decarisimo 3:28
1-05 Milonga De Ángel 6:40
1-06 La Muerte Del Ángel 3:22
1-07 La Resurrección Del Ángel 7:06
1-08 Speech 3:43

2-01 Tristezas De Un Doble A 20:54
2-02 Escualo 3:34
2-03 Adiós Nonino 8:37
2-04 Contraataque 4:01
2-05 Mumuki 8:21
2-06 Miguel Angelo 4:05
2-07 Chin-Chin 9:10

Notes:

Recorded live at Sendesaal of Deutsche Welle Cologne, November 14, 1984 / Digitally remastered

Barcode and Other Identifiers:

Barcode: 750447334328

Brilliantly capturing the essence of this true legend at this live gig recorded almost twenty years ago at the end of a 30 date european tour, they were fired up and ready for it. the band formed some 25 years before that to bring the new tango of Argentina to a wider audience as Astor says, it was viewed as ‘crazy music’ which people had difficulty understanding (& still did when this was recorded originally) as with so many artists worldwide who are adventurous, those in Argentina who only recognised traditional tango veiwed him as a traitor. sad isn’t it that we can’t just enjoy music and are not more open to listen with open ears, there’s far too much good music out there to miss out on with that blinkered view, their loss. Brilliant. Graham Radley@worldmusic.co.uk

Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneónist, he regularly performed his own compositions with different ensembles. wikipedia

Biography

by Steve Huey

It’s not hyperbole to say that Astor Piazzolla is the single most important figure in the history of tango, a towering giant whose shadow looms large over everything that preceded and followed him. Piazzolla’s place in Argentina’s greatest cultural export is roughly equivalent to that of Duke Ellington in jazz — the genius composer who took an earthy, sensual, even disreputable folk music and elevated it into a sophisticated form of high art. But even more than Ellington, Piazzolla was also a virtuosic performer with a near-unparalleled mastery of his chosen instrument, the bandoneon, a large button accordion noted for its unwieldy size and difficult fingering system. In Piazzolla’s hands, tango was no longer strictly a dance music; his compositions borrowed from jazz and classical forms, creating a whole new harmonic and rhythmic vocabulary made for the concert hall more than the ballroom (which was dubbed “nuevo tango”). Some of his devices could be downright experimental — he wasn’t afraid of dissonance or abrupt shifts in tempo and meter, and he often composed segmented pieces with hugely contrasting moods that interrupted the normal flow and demanded the audience’s concentration. The complexity and ambition of Piazzolla’s oeuvre brought him enormous international acclaim, particularly in Europe and Latin America, but it also earned him the lasting enmity of many tango purists, who attacked him mercilessly for his supposed abandonment of tradition (and even helped drive him out of the country for several years). But Piazzolla always stuck to his guns, and remained tango’s foremost emissary to the world at large up until his death in 1992. allmusic

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Llaqtaymanta – Traditionelle Musik der Inkas Vol.2

Llaqtaymanta – Traditionelle Musik der Inkas Vol.2
Llaqtaymanta – Traditional Music Of The Inkas Vol. 2
FLAC, EAC, LOG & CUE | Artwork | Size: 381 MB
Cat#: Not On Label Qu 31 894 | Country/Year: Germany 1992
Genre: Folk, Andean | Hoster: Filesonic/Uploaded

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Llaqtaymanta – Traditionelle Musik Der Inkas Vol. II

Label: Not On Label
Catalog#: Qu 31 894
Format: CD, Album
Country: Germany
Released: 1992
Genre: Folk, World, & Country, Latin
Style: Quechua

Tracklist:

1 De La Pampa 4:53
2 Llaqtaymanta 3:37
3 Sopresivamente 5:33
4 Nanamanda 3:44
5 Payagu 3:36
6 T’anthast’asxapxanani 5:17
7 Kullaqhita Jilata 3:56
8 Entre Mis Svenos 4:17
9 Huauquigu 4:58
10 Saya De Amor 3:36
11 Lucila 4:54
12 Inti Raymi 4:02

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